Monday, April 27, 2009

La Collectionneuse

La Collectionneuse was directed by Eric Rohmer and released in 1967. It was the third movie of Rohmer’s six moral tales, and his first feature film in color. The movie follows a man named Adrian who goes out to live in the country to find peace. He wants to take a break from his life and do literally nothing and is accompanied by his friend Daniel. Everything is going well until he finds out that he will be sharing the house with not only Daniel, but a young woman named Haydee. Haydee is considered as a “collector”, a collector of men. She has a new man every night, and sometimes a different one in the morning as well.

Haydee changes Adrian’s plans. He does not want to be attracted to her but he cannot fight it. Haydee plays games with his head until the two finally decide to be together. At this point Adrian changes his mind once again and leaves Haydee with no warning.

The themes that I saw in this film were loyalty, happiness, and lust. Haydee has no loyalty to anyone, which explains why she constantly has a new man in her life. She does not know what she wants, and it seems that she will never be happy. Adrian thought that the peace of the country and doing nothing would make him happy, but this was not the case. He then thinks that he will be happy with Haydee but once he has her he realizes that this does not make him happy either. Lust was the most prominent theme in the movie. Both Adrian and Daniel desire Haydee at one point but Haydee does not know what she desires. Lust drives this movie, and causes many problems throughout the film.

This film was very interesting. It was a different type of movie and did not have a happy ending. Instead of focusing on one relationship between a man and a woman, Rohmer focuses on how Haydee makes others act. She turns Daniel into a mess, and confuses Adrian to the point that she is all he can think about. Rohmer made a masterpiece with this film.

Wednesday, April 8, 2009

Les Bonnes Femmes

Les Bonnes Femmes was a film directed by Claude Chabrol in 1960. The film followed the lives of four shop girls in Paris. They are all daydreamers and dread their job. They only look foward to going out and partying every night.

Chabrol deliberately portrays his characters to be very exaggerated. The men in the story are all very weird characters. Marcel and Albert are portrayed to be rude and idiotic. They are overly annoying in this film. Rita’s fiancĂ© is weak and quit, and will not stand up for Rita in front of his parents nor will he defend the women in the pool. The only man who seems to be of good character is Andre, but he actually psychotic and kills Jaqueline in the end of the film. I feel as though Chabrol makes his characters overact on purpose, such as the girl’s boss. The boss is not a very likeable character, but this is done purposely. The men in the movie are portrayed as immoral, and are all not likeable men.

The theme of love is constantly shown throughout the movie. All of the women are desperate for love and continually search for it. Rita seems to play off the fact that she is unhappy with her fiancé. I thought that during the dinner with his parents, Rita seemed miserable. Jane searches for love during her parties which do not bring her any redeemable men, just the annoyance of Marcel and Albert. Jane has a false sense of love and thinks that the man who is stalking her is destined to be with her. This ends up being Andre and when the two are together Andre kills Jane. The women are all looking for the same thing by different means, and none are successful.

Overall, this film was very interesting. It was a different film for the New Wave era in films because there was no specific relationship that the movie was built around. It was a very interesting movie with many surprises and plot twists.

Wednesday, March 11, 2009

A Bout de Souffle

A Bout De Souffle was a very interesting film. It was directed by Jean-Luc Godard in 1960, and is translated to mean Breathless or more literally “at breath’s end.” This film followed a french man named Michel’s quest to obtain money owed to him after he killed a cop. He is being followed by inspector Vital, and is also trying to take a young American girl, Patricia, with him on his getaway.

The film has a very interesting plot, and the main character is also very interesting. Michel is a thief and constantly steals things such as cars and money. He is very sly, and is a smooth talker and ladies man. The viewer identifies with Michel because he is so likeable, which makes this film even better.

Jean-Luc Godard put together this film brilliantly. His use of jump cuts were something I had never really experienced before. He did not use the traditional way of cutting scenes, but instead used the jump cuts to skip through unimportant times such as Patricia’s dinner with the American journalist. This kept the viewer interested because they did not know what to expect. In some instances, he didn’t actually cut the scene but instead just sped the scene up. It was almost as if I was watching a film set on fast forward at some points.

This film had many themes. Some of them were death, fate, speed, cinema, greed, love, and betrayal. I believe that the most dominant theme was reality. This is because Michel does not have a grip on reality. I felt as though he did not know his own identity which is shown by the fact that he is always trying to act like a tough guy to be more like Humphrey Bogart. He even constantly rubs his thumb across his lip just like Bogart. Also, Michel acts as though he can get away with anything. He steals cars and money throughout the film, and believes that Patricia will not turn him in. This proves to be false because she does in fact turn him in and gets Michel killed. This film was very interesting, and fun to watch.

Tuesday, February 17, 2009

Les regles du jeu

After viewing the film Les Regles Du Jeu I felt as though the film was very interesting. It is a film directed by Jean Renoir in 1939, and the title would be translated to mean “The Rules of the Game”. This film truly showed the transition into the New Wave of French cinema. The film was all about relationships between men and women which was the plot of a lot of films during the New Wave.

I liked the plot of Les Regles Du Jeu. There was many plot twists which kept the viewers interested such as the many lovers of Christine. The viewer was intrigued to find out who Christine would end up being with in the end, which keeps them glued to the movie. There is also the feud between Schumaker and Marceau which thickens when Marceau begins to talk to Schumaker’s wife. The constant changes within the plot were very genius and proved to make the movie very interesting.

The music of the movie also helped the plot. The music was always on cue with the mood and setting of the movie. An example of this is during the party. The music during the party is perfect for the setting. The plot seemed hard to follow, but the way the movie was put together made it very clear and interesting.